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View Full Version : Wootz & damascus steels: what are they and what is the difference ?



meles meles
11-07-07, 10:39 PM
Damascus steels were originally believed to have been manufactured in Damascus, perhaps from steel imported from India ('wootz steel'.) They have acquired a legendary reputation for strength and toughness, but are arguably best known for their aesthetic appearance – careful etching revealing the dendritic structure of the metal. In many cases the manufacturing technique is optimised to create a striking appearance, possibly at the expense of mechanical properties.

In reality, the average Saracens' swords were almost certainly inferior to the Crusaders' stronger, tougher steel and carburised iron weapons. Western smiths of the era worked their metals at higher temperatures and had a far better understanding of the forging process than their Indian counterparts. However, whenever a Crusader - with God on his side - was defeated, the answer surely must be in the mythical power of the Damascus sword rather than in the superior skill of its wielder... and a few of those wootz swords, mainly by chance, were rather good...

Wootz Damascus
Wootz steel is melted in small sealed clay crucibles from steel scraps and carbon bearing materials and after solidifying, was forged at a very low heat into sword blades. Sword remnants tested for content were often found to contain a significant amount of sulphur and phosphorous. It is believed that this made the cast ingots red short, difficult to forge and is very likely the governing secret to the success of Damascus blades. The higher heats that the European smiths were accustomed to would have crumbled the steel and it also would not have produced the kind of steel that made them famous. Although the task of forging at such a low and narrow band of temperature was difficult, the first side-affect or benefit was tougher and springier steel with superior edge holding properties. The second benefit was the pattern formed by the ghosting of the dendrites which were formed during the slow initial cooling of the ingot. It was discovered recently by Al Pendray and Dr. John Verhoeven that the trace amounts of vanadium were responsible for forming the Damascus patterns because they aligned along the grain boundaries of the dendrites and, due to forging at a reduced heat, retained the image throughout the forging process. Although it was the dendrite pattern that gave rise to the Damascening, it was soon learned how to enhance the patterns mechanically.


Pattern Welded Damascus
Modern ‘damascus’ steels are actually pattern welded steels - steels of varying alloy content are be beaten into strips and these strips then forged together, one on top of the other. (A similar process was developed by Japanese swordsmiths) The resulting ingot would then be hammered into a long strip, folded over, hammered, folded over again and so on. This process would eventually produce a sword or knife blank composed of many alternating lamellae. Starting with a tough steel and a hard steel as the initial layers would ultimately produce a sword or knife blade with a hard edge and a tough core – in the hands of a skilled smith anyway! Part of the sharpness of good pattern welded blades might in fact have been responsible to the micro-cracking of the hard steel layers – in effect the blade would be micro-serrated.

In reality, many wootz type Damascus blades were probably quite unremarkable, probably inferior to their Western counterparts, but every now and again a skilled swordsmith would produce an exceptional blade and it was these that gave rise to the legendary status of the type. However, modern laminate and stress analysis theory, together with a greater understanding of alloying and heat treatment, should make it possible manufacture Damascus blades to this exceptional standard by design rather than by accident or trial and error. In parallel with the technical requirements for high performance laminated steels, one must consider that the aesthetic appearance of the steel is determined by the laminate structure of the billet.

Damascus billets are made by cutting and stacking layers of different steels together and welding them into a solid piece. This billet is then drawn and cut into two or more pieces, restacked and welded. The number of layers in the final billet will depend on the number of distinct layers in the initial billet and the number of times it is folded and welded. Each fold is a geometric progression 4,8,16,32,64,128,256,512 etc. Howard Clark has done some studies and has determined that after two folds the carbon has been evenly dispersed through out the billet and it is for all intents a homogeneous piece of steel. Optimal for pattern development in straight laminated billets is between 300 to 500 layers. Going the next step to 1,000 layers makes the pattern too fine and staying under 300 it appears wide and bold.



More recent research...
More recent research casts new light on the possible origins of Damascus steel. (Ann Feuerbach, Ph.D. thesis, "Crucible Steel in Central Asia: Production, Use and Origins.")

"There are two fundamental factors that will profoundly influence the final characteristics of the steel product: the crucible charge and the forging method. The materials and methods used to produce and forge the ingot will directly affect whether or not a pattern can be produced. Modern replication experiments, historical and ethnographic accounts demonstrate that there are many possible ingredients that can be used for the crucible charge to produce a crucible steel ingot. They have also determined particular factors which are necessary to produce a pattern.

Al-Beruni stated that farand (the Damascus pattern) was not the result of industry and design, but was an accidental product (Said, 1989, 218). Curiously, Wilkinson (1937, 193) made a similar statement a thousand years later, “…the figure of the genuine ancient and modern Damascus sword-blades is the result of nature, and not of art”. More recent research by various scholars has determined the factors which affect the formation of the pattern and it is now known that the pattern is indeed the result of the nature of steel, although a certain amount of “art and industry” of forging is also required.

Essentially crucible steel can be produced from an infinite number of possible crucible charge ingredients containing iron and carbon. The presence of minor and trace elements in the crucible charge, via the source of iron, carbon or additional substances added to the charge, will also affect the steel ingot. These elements can affect the forging of the ingot (e.g. in rendering it “hot short” due to phosphorus) in addition to the performance and appearance of the final product.

The percentage of the carbon content of the crucible steel is significant for the creation of different types of patterns and the performance of the blade. Hypoeutectoid (< 0.8% C) and hypereutectoid (> 0.8% C) steel can produce a pattern, but the microstructure and, therefore, the pattern will be noticeably different. Hypoeutectoid steel will produce a banded pattern (e.g. Sham pattern), however, the most characteristic Damascus steel patterns (e.g. Kara Khorasan pattern) is produced from hypereutectoid steel.

Hypoeutectoid ingots produce ferrite-pearlite banding. A factor in the production of the banding is the presence of elements, which during the solidification of the liquid ingot, remain in the interdendritic region (Samuels, 1980, 129). Pearlite will form in the interdendritic band, possibly influenced by the presence of manganese. According to Samuels (1980, 129) the dendrite itself is composed primarily of ferrite and very slow cooling will produce bigger bands.

Studies, primarily lead by Verhoeven (e.g. 2001) have found that the formation of the pattern in hypereutectoid steels is due to the alignment of globular/spherical cementite in the interdendritic zones. The cementite aligns because of the presence of impurity elements present in the interdendritic zone. Verhoeven et al. (1998) determined that elements such as vanadium and molybdenum, even in quantities as low as 0.003%, promote the alignment of cementite. Other elements, which also promote banding, are chromium, niobium, and manganese (Verhoeven et al., 1998, 63).

The effect of the cooling rate on the forging of the ingot and the resulting pattern has not been studied in any depth. Verhoeven and Jones (1987, 170) note that cementite at the prior austenite grain boundary form during slow cooling, whereas faster cooling rates promote Widmanstätten cementite. Richard Furrer (pers. com.) noted that during his replication experiments quickly cooled ingots were easier to forge than slowly cooled ingots. This is probably the result of the different cementite locations. It seems reasonable to assume that the cooling rate affects the appearance of the pattern. This is because the faster the ingot cools, the smaller the dendrites are, and therefore, the closer the interdendritic zones. The closer the interdendritic zones, the closer the aligned globular/spheroidal cementite are, and therefore, the finer the final surface pattern. Therefore, a blade forged from a slowly cooled ingot would have a coarser pattern than a blade forged from a quickly cooled ingot, assuming that the blades require a similar amount of forging. In addition, Verhoeven and Jones (1987, 177) suggest that the grain boundary cementite grows coarser with each forging cycle, opposed to the Widmanstätten cementite, which becomes finer. It is the large cementite particles responsible for the thicker “thread” of the Damascus patterns. The extent of forging and consequently the extent of deformation of the dendrites would also affect the fineness and appearance of the pattern. The influence of the cooling rate was also noted by ethnographic accounts. Bronson (1986, 38) states that many ethnographic observers suggested that the Damascus pattern “is an effect of cooling the original crucible contents at an extremely slow rate”. Therefore it seems likely that the fineness or coarseness of the final pattern would depend on the cooling rate of the liquid steel in addition to the amount of forging. A slowly cooled ingot could make a coarse pattern or, if forged for a long period, a fine pattern, but a quickly cooled ingot could never make a coarse patterned blade but only a fine patterned one.

Verhoeven and Pendray’s (1992, 210) experiments found that the as-cast ingot was “hot short” due to microsegregation of phosphorus and sulphur. Although few ancient steels contain sulphur, they often contain phosphorous. Since the ingots solidified from a liquid, they have areas particularly high in phosphorus appearing as the iron-carbon, phosphorous phase steadite rather than being evenly distributed, thus the ingots are “hot short”. Whether ancient blades were also “hot short” and if this decarburization procedure would have been needed if the crucibles cooled slowly in the furnace or is necessary for all crucible steel is uncertain, however, the crucible steel blades examined did contain areas with around 0.1% P. The findings by Verhoeven, that the crucible steel ingots were “hot short”, are important for three reasons:

1) It supports the fact that Moxon among others noted that “hot shortness” was a feature of crucible steel.

2) Being “hot short”, the blades required a different forging technique than used for other types of steel.

3) The low temperature forging would produce spheroidal cementite.

The phosphorous in the ingots caused the ingots to be “hot short” and therefore they had to be forged at low temperatures. Verhoeven (2001, 65) found that during forging at the necessary low temperatures, below the austenite transition temperature, the cementite collects in the interdendritic regions, perhaps nucleating on the impurity elements, which are concentrated in the interdendritic regions. The austenite transition temperature (Acm) is the temperature at which ferrite and cementite begin to separate during slow cooling (Samuels, 1980, 43). The austenite transition temperature depends upon the elemental composition of the steel, particularly the carbon content. The transition temperature begins in the region of 730OC, around the eutectoid composition (0.8% C). The austenite transition temperature increases with the carbon content until the carbon content reaches around 2% (cast iron) where the temperature is over 1100OC (see Samuels, 1980, 43).

The time and temperature of the forging are major factors in the formation of the pattern. Verhoeven and Pendray’s replication experiments heated the blades to 50OC below the austenite transition temperature and then forged the blade while it slowly air-cooled to around 250OC below the austenite transition temperature (Verhoeven, 2001, 64-65). They record that initially the carbides are randomly distributed but after additional heating and forging at these temperatures the cementite began to align. The more cycles they performed, the more distinct the banding became.

In order for the pattern to be readily observed on the surface of the blade, the decarburized and oxidized layer had to be ground off, the blade had to be cleaned and polished before it was etched. Wilkinson records that wood-ashes and water were used in India, or chalk and water to remove any surface grease (1837, 191). Other materials used to clean the steel include dry lime with water and tobacco ash (Sachse, 1994, 83). To etch the blades, Wilkinson (1837,191) discusses the use of dilute nitric and sulphuric acids at Cutch. He also records that a better effect is produced when the blade is immersed in a bath of copper sulphate in water for ten to thirty minutes (Wilkinson, 1937, 190-191). Sachse (1994, 84) refers to the use of ferric sulphate and ferrous sulphate to etch the blades. The etching reacts preferentially to the iron and carbide regions and the effect depends on the type of etchant used and the amount of time it reacts with the metal. According to Verhoeven and Jones (1987, 155) the white component (a.k.a. threads, see Classification of Damascus Patterns) of hypereutectoid Damascus patterned blades is the cementite. On hypoeutectoid blades the ferrite is the white or lighter component. The darker “background” colour is often a form of pearlite which appears darker, or having a pearl–like appearance, hence the name. However, which phases appear lighter or darker also depends on the microstructure and the etchant used.

In summary, the formation of the pattern particularly in hypereutectoid blades is due to the interdependent relationship between the elements contained in the crucible steel ingot and the forging process. The presence of phosphorous in the crucible steel dictated the low forging temperature. In turn, the low temperature forging produced spheroidal cementite. The presence in the ingot of the trace elements such as vanadium, molybdenum, chromium, niobium, or manganese promote the alignment of the spheroidal cementite in the steel, thus producing the Damascus pattern when etched. The relationship between the elemental composition of the ingot and forging method associated with hypoeutectoid blades has not been studied in detail. However, the presence of elements such as manganese promotes the growth of pearlite in the interdendritic region, whereas the dendrite is composed of ferrite. Slow cooling of the ingot will produce bigger bands and these bands can be observed when the blade is etched."

grace horne
13-07-07, 08:13 AM
so...
basically a damascus steel is any (?) steel with a surface pattern that reflects it's internal structure?

What has fascinated me was why so many cultures and periods ended up producing a material that could be called Damascus steel, so I decided to try and categorise DS by the 'process' and not the resulting steel. It threw up some interesting annomolies...

The historial reasons for producing a patterned steel were:
1. Creating visual effect (Keris) - heterogeneous
2. Increasing quantity and quality (folded and welded) - heterogeneous
3. Manipulating carbon content through semi-smelting (persian)
4. Incidental / accidental effect through production process (meteoritic), impurties in the ore (crystalline damascus) or deliberate alloying (Ultra high Carbon steels)
5. Changing surface carbon content during folding and welding (Japanese)

How about a surface pattern caused by selective heat-treatment? The pattern is also an external manifestation of the internal structure...

Mike Blue
13-07-07, 03:50 PM
An interesting treatise. There are a few minor things that can be added to this.

The number of mentions of low forging heats is significant. Likely cycling the billet to just above austenitizing temperature (which the smiths would not have known at that time, they would have been holding closely to ritual and color) and forging from there would have resulted in significantly more effort on the part of the smith. Where forging at higher temperatures would have gotten more work done for less time in the fire, less fuel burned (Western pragmatism?). But, cycling around low heats is what produces the grain banding discussed later in several places. This is also true for some surface features of Japanese technique. However the source traditions are not wholly Japanese.

Grace, I think you're right about the reflection of internal structure, especially in regard to the alloy banding. But pattern welded steels show the differences between minor alloying elements. In modern terms, we use nickel to make that dramatic difference, but I've had bloom steel from different batches show up with equal drama despite being sure there was no nickel at all involved. There is still much to learn.

The Japanese likely received the technology from the Koreans, and they arguably from either Siberia or China. While the Japanese certainly refined the craft to a significant degree in terms of their art, the Chinese and Koreans, pre-Japanese fame, have extant artifacts that show strong similar steel structures.

Now as to microserrations. That is likely more a function of the abrasive used to sharpen the material. As you correctly noted, there is a phenomena known as carbon averaging that evenly disperses the carbon content throughout the steels of different color. For all intents, there is no hard and soft layer for a homogenous carbon content. I've never found any reference to micro-cracking, that needs more explanation or resources.

And re: layer counts, some of the old Asian blades were treasured for the very high layer counts, e.g. up in the 30K layer range. I don't see the upper limit of pattern aesthetic stopping at 1000. Besides, in the blades of that particular style of manufacture, the inital point was bloom steel. Blooms contain lots of crud, leftover charcoal, silicate slags, calcium slags, dirt from incompletely roasted ore etc. Multiple forging and repetitive folding serves the purpose of cleaning the material of all the junk that is not good steel and getting rid of the welding flaws and inclusions.

Still, this article is a good start.