Design Stage
First I sketch the design of the knife. I was inspired by Trond's recent full-tang scandi, but chose a more conventional back portion for the handle. The unusual features of this hidden-tang knife are to be a tapered centre section and sculpting of the front of the handle with a slight overlap onto the blade. These features are more often seen on full-tang knives like Trond's masterpiece.
What'll It Look Like?
Putting things together like this allows me to check that the centre section is at least as thick as the blade and to consider the overall appearance. As you can see, I initially intended to use ivory paper micarta as the centre section. Jon Baron recommended a dark wood with red spacers. I eventually went with ebony sliced off a regular wood block using the bandsaw. I didn’t use spacers. Ideally, I’d have used very thin white spacers.
Cutting The Tang Slot
I scribed round the tang for precision then marked over that with tippex which shows up better. Note that I left plenty of spare to the fore, where I’d cut back to the critical points where the centre section meets the blade back.
Critical Points
These are the critical points. They are the only places where the fit must be exact. They must exactly contact the blade and the centre section must be exactly as thick as the blade too. In this case, I left it too thick and later sanded back to the blade thickness, checking frequently.
Gluing One Slab
Here I glued one slab first. Some people may like to complete the centre section and then stick the slabs on together, but this way, the slab supports the centre section during the heavy sanding phase.
Also, this shows my first two big mistakes:
(1) I should have used three clamps. I only used two and as a result, the top front of the centre section had just a tiny bit of gap filled with epoxy. That cost me a quarter of a mm that you can see if you inspect the completed knife closely.
(2) I should have only applied glue to the centre section, not the slab. This excess glue pooling in the slot would have led to a misalignment of the blade and I had to mill it out. If you don’t have a milling machine to hand, don’t make this mistake.
Tapering The Tang
Here I sanded back to taper the centre section to match the tang. If I was really tricky, I’d mill out the slabs and achieve a really pronounced taper. But this is meant to be a simple knife, so I settled with basic sanding and achieved a 50% taper comparing front vs. back. The difficulty in this stage is achieving a flat side, and not rounding slightly. There are lots of tricks that would work. I’ll leave it to one of you experts to tell me how you do it.
Checking Fit
Yup, the blade fits into the slot with none protruding.
Ready To Go
This is where I did a final check of the fit against the critical points.
Here I made my biggest error. I used fast (5 min epoxy) and didn't force-fit the tang back into the slot. Hence, there is a 0.5mm gap at the critical points... after all my careful measuring and cutting.
Cut to Shape
I stuck a photocopy of the design on the side and cut to shape, bringing the rough cut close to the line on the belt sander’s platen.
Getting the handle up to this point took 3 hours.
Top View
Not much to say, here.
Drilling Pin Holes
I found the cross vice very useful, but it isn’t really necessary. The real trick to note is that I clamped the knife in at a slight incline so that the blade was flat and the pins went through straight.
Fit Pins And Sand Flush
Actually, the pins are redundant. The epoxy is, IMO plenty strong enough, but, well they're cosmetic and at the same time functional. At leasy it didn't cost much in time and parts.
The best way is to force-fit the pins. Instead I very, very slightly over-drilled and bonded the pins in with epoxy. This is because it’s as strong and almost impossible to spot, but much easier, quicker and there’s less chance of damaging the slabs at this late stage of construction.
All that's left to do is sculpt the handle by eye, using the belt sander. Small radius inside curves were done with a 1 cm dia. sanding drum on the dremel. Once shaped with a 90 grit belt, I sanded down to 280 by hand, then hit it with the scotch-brite wheel and buffed with white compound on the rag wheel.
It's probably a bit controversial here, with many makers seeming to compete to claim the longest finishing process, but on most woods, the scotch-brite wheel and rag wheel will easily clean down to 280. The only disadvantage I can see is slight undercutting into epoxy and around pins. If done properly, you'd work up the grades with sandpaper stuck to a flat back-board.
Next: RESULTS




I also saved a lot of money using a thin sliver of ebony from a block costing EUR9.50 from
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. 
When you say the epoxy is strong enough without the pins, what epoxy are you using and what do other people think about this. I'm asking cos it would make the knife I'm about to make a lot easier as I have a nicely seasoned piece of holly that I'd love to use for the handle, but it's gonna be touch and go to get a push tang right first time as it's a bit on the small side, so this method with a spacer would be great. Also, my tools are a bit limited, so drilling through the tang would be somewhat of a problem.
Why is there anything at all?

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